Acid House Rave Glasnost Soviet (Perestroika Futurism Register)

Render the source image as an acid-house rave compilation sleeve from the late Soviet Union and early post-Soviet period, 1989-1992, channeling the visual collision of constructivist geometry with acid-house neon urgency. Composition built on Soviet-modernist grid structure: bold geometric shapes (diagonal bars, angular rays, circular motifs), but rendered in acid-house color palette: hot magenta, electric cyan, lime green, toxic yellow, deep purple, all simultaneously present, clashing rather than harmonizing. Typography: band or DJ name rendered in geometric sans-serif (Futura, Avant Garde, or custom Soviet-era modernist face), possibly with added Cyrillic characters or pseudo-Cyrillic letterforms even if the text is not in Russian, the aesthetic is Glasnost-futurism regardless of actual language. Text should be stacked, angled, overlapping, the constructivist order interrupted by the chaotic simultaneity of rave promotion. Source image treated as either (a) a geometric abstraction using the source's silhouette deconstructed into constructivist planes, (b) a photograph cropped and rotated into angular compositions, integrated into the grid as one element among equal-weight geometric shapes, or (c) a background texture heavily pixelated or halftoned, then layered with geometric overlays. Material: printed on matte uncoated board (Soviet production quality implied), color registration slightly off (constructivist print-shop authenticity), the ink edges slightly rough. Square 12-inch LP-jacket aspect ratio. Mood: optimistic and chaotic simultaneously, the moment when Soviet design's machine-age geometry collided with Western dance-floor urgency and realized the machine was becoming obsolete, electric urgency masking the awareness that this brief moment would not last, Perestroika-before-the-collapse. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.