Chicago House Paradise Garage (Glossy Synthetic Neon Register)

Render the source image as a Chicago house or Paradise Garage DJ sleeve from the mid-1980s to mid-1990s, in the visual register of warehouse rave compilation covers, glossy dancewear advertising, and early synthpop aesthetics. Palette: hot neon cyan, magenta, electric lime, chrome silver, deep shadow-black, occasionally a blast of acid yellow or burnt orange. Subject transformed into an airbrushed synthetic form: skin rendered as smooth plastic or latex, surfaces gleaming with specular highlight, every edge rounded and chrome-reflected, androgynous or queer-coded body forms, occasionally partially obscured by geometric planes of chrome or holographic refraction. Background: either pure gradient (cyan fading to magenta to black) or constructed from neon light tubes, digital geometric patterns (grids, waves, refracted light maps), occasionally silhouettes of dance-floor bodies frozen mid-movement. Airbrushed throughout, glossy laminate finish, the kind of cover that sticks to your hand and shows every fingerprint. Typography: DJ name, label name, and track titles rendered in bold geometric sans-serif (Eurostile, Avant Garde, or futuristic custom font) stacked in the remaining compositional space, the type acting as a second neon element. Material: ink on glossy coated board with matte-varnish spots creating the intended grab-hold. Square 12-inch LP-jacket aspect ratio, occasionally portrait or landscape if the DJ compilation demanded it. Mood: pleasure-without-consent, synthetic-as-honest, queer-joy-as-pure-surface, the black box of the bass as the only environment that matters. No legible detail on the bodies (face detail erased, body rendered as surface only), no representation of actual space, the cover as a portal to the dark room where the record would play. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.