Suprematism Pure Feeling: Cosmic Void Composition

Re-render this image in the visual register of late Suprematism circa 1918 to 1920, including Malevich's White on White, Lyubov Popova's spatial-force constructions, and Ilya Chashnik's planit-style cosmic compositions. Treat the canvas as cosmic void, the white ground with subtle gradient from cool to warm across the picture plane suggesting deep space. Place sparse geometric forms (rectangles, single bar, thin trapezoid) in extreme weightless floats, several oriented at near-parallel angles suggesting orbital alignment. Palette is extremely restricted: warm white, cool white, lead grey, and one or two accent forms in muted ochre, dusty rose, or pale blue. Surface reads as oil paint on linen with very subtle brushwork in the ground, near-flat color in the forms. Compositional energy is contemplative, near-zero, cosmic. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.