Malevich Black Square: Zero-Degree Void Icon

Re-render this image in the visual register of Kazimir Malevich's 1915 Black Square and adjacent Suprematist canvases. Treat the picture plane as an absolute white void, the canvas itself glowing slightly off-white like primed linen. Render the subject as one or two dominant geometric primitives (the Suprematist vocabulary: black square, red square, black circle, black cross, white-on-white square, or single rectangle) placed at a slight rotation, floating in the void with no horizon line, no shadow, no atmosphere. Surface reads as oil paint on linen, with visible brushwork in the dark form and slightly cooler temperature in the white ground around it. Palette is strictly minimal: ink-black, lead-white, oxide-red, and the linen-warm off-white ground. Compositional energy is meditative, iconic, frontal. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.