Yellow Teal Pink Process Substitute (Style-Only, Image-Conditioned)

Re-render this image as a three-drum risograph color experiment substituting yellow, teal, and fluorescent pink spot inks for a conventional four-color process, in an exploratory print register of layered grids, overprints, restrained typography, and independent riso editions. Separate the source into three simplified tonal masters. Print warm sunflower yellow for illuminated planes, saturated teal for cool structural midtones, then fluorescent pink for warm shadows and isolated highlights. No black ink: create apparent darks only through aligned teal and pink, with yellow underneath where a deeper neutral is needed. Allow clearly readable orange, green, and violet to emerge in large transparent overlaps, but retain unprinted cream paper for the brightest light. Screen midtones into dots large enough to survive the stencil while leaving major contours as broad clean forms. Let the slight independent drift of three paper passes show at just a few edges, not as a uniformly blurry image. Ink density varies mildly within each broad field, and paper fibers interrupt the palest screens. Resist a conventional glossy full-color look: this is an ingenious but visibly limited translation, with the fluorescent pink too vivid to pass for process magenta and the teal unable to masquerade as process cyan. Keep the source's original spatial hierarchy unmistakable even where its colors change. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.