Fluorescent Two Ink Misregistration (Style-Only, Image-Conditioned)

Re-render this image as a two-ink risograph print made on a stencil duplicator, in the experimental printmaking register of Corita Kent's color separation and contemporary independent riso workshops. Translate the source into two deliberately planned masters: fluorescent pink carries broad warm masses and open highlights, while dense process blue carries the structural outlines and dark planes. Let bare ivory paper serve as the third color. Pass each sheet through the machine twice, with the blue drum shifted slightly right and down from the pink, leaving clean, visible pink fringes along large silhouettes and blue fringes on the opposite side. Where inks overlap, build a saturated violet that is visibly made from two transparent layers rather than a flat digital swatch. Keep large shapes legible at thumbnail size; confine registration slips to broad contours, not a noisy all-over blur. Show slight stencil softness, ink pressure variation, and the dry fiber of uncoated paper in areas of thin coverage. Compose the existing forms as a quiet color-separation study, not a political flyer or a page of collage. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.