Khmer Rouge Year Zero Austere

Restyle the source image as a 1975 to 1979 Democratic Kampuchea (Khmer Rouge era) propaganda or documentary aesthetic. Two rendering modes can be selected via the dial below: (mode A) didactic poster art in flat opaque gouache, palette restricted to dull olive-green, ochre, dried-blood maroon, and cream paper ground, forms simplified into uniform peasant figures with identical conical straw hats, identical black pyjama clothing, identical neutral expressions, working in identical rice-field postures, composed in horizontal rows like a frieze; (mode B) documentary black-and-white film photograph from the era, medium-format with mild grain and chemical fixation marks, harsh tropical overhead noon sunlight, deep shadows under hat brims, faces flattened by exposure, group composition with figures spaced evenly and oriented uniformly toward a single off-frame point, the deliberate visual erasure of any individuating detail. Background is rice paddy, irrigation canal earthwork, or austere communal hall interior with bare walls. Mood is enforced uniformity, the calm of compelled silence, the documentation of erased personality. Forbid all regime-specific symbols absolutely: no Khmer Rouge red flag, no Angkar emblems, no party slogans in any script, no Pol Pot or leadership portrait imagery, no krama scarf in regime colors (allow only neutral black-and-white). Caption zones at top or bottom (if poster mode) should be empty: no letterforms, no Khmer script, no Latin script, no slogans, no party mottoes. Preserve the exact subjects, faces, poses, gestures, and spatial arrangement of the source image without alteration; restyle the rendering only.