Wesselmann Flat Color Interior (Style-Only, Image-Conditioned)

Re-render this image as a hard-edged domestic Pop painting in the flat-color interior register of Tom Wesselmann's 1960s work. Translate each existing surface into a large, solid acrylic area, as though the image were laid out with cut stencils and painted on smooth board. Treat the source background as a room-like color field, even if it is only an open wall or plain ground: one broad wall plane, one contrasting horizontal plane where the source already suggests it, and no invented furniture. Render the source subject in its original position and pose with crisp contour lines and just two or three interior value shapes. Make the palette ripe but controlled: vermilion, petal pink, deep ultramarine, warm cream, and a leaf-green accent. Where contours touch a colored field, leave a narrow hand-painted seam so the two coats do not blend. Use a matte brush surface and very slight edge buildup; avoid photographic texture, gradients, and airbrushing. Keep open spaces resolutely empty instead of filling them with domestic props. The mood is sunny, still, and faintly theatrical, with the apparent ease of a perfectly staged everyday view. The source remains the actor; color planes supply the setting. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.