Dithered Demoscene Color Cycling (Style-Only, Image-Conditioned)

Re-render this image as a late-eighties home-computer demoscene still, with carefully ordered pixel dithering and a luminous palette designed to suggest color cycling without actual animation. Translate the existing subject into chunky square-pixel contours and distinct bands of midnight blue, violet, cobalt, acid turquoise, rose, and white. Place repeated ordered checker or diagonal dither patterns where one band meets another, so adjacent discrete colors appear to mix at a normal viewing distance but remain unmistakable pixel marks up close. Wrap only the source's actual illuminated edges in a narrow progression of brighter bands; avoid inventing glowing objects, orbiting spheres, or arbitrary geometry. Recall the resourceful graphic experiments of European home-computer demo artists, who coaxed apparent light and motion from fixed palettes and limited memory. Use rhythmic stepped bands across existing gradients, such as a sky, wall, reflected surface, or cloth fold. Reserve deep unpatterned darks around the primary subject so the dither has somewhere to breathe. The picture should look hand-plotted cell by cell, not like a photograph processed through a coarse filter. Avoid blur, antialiasing, smooth airbrush bloom, and decorative interface chrome. Keep the source's hierarchy and directional light intact, while the repeating palette steps give the frozen scene a current of energy. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.