Cyan Magenta CGA Palette (Style-Only, Image-Conditioned)

Re-render this image as an early four-color personal-computer display image composed solely of saturated cyan, electric magenta, near-black, and clean white. Make the palette clash purposeful: use black for the strongest silhouettes, white for exposed highlights and open field, cyan for one family of planes, and magenta for its counterweight. Translate the original subject into coarse square pixel clusters with sharp stairstep contours and no antialiasing. Reserve checkerboard alternation of cyan and magenta for a few textured or shadowed passages, allowing the eye to mix a fifth apparent value without adding a fifth ink. Draw from early eighties color graphics experiments rather than any existing software screen or game scene. Let color boundaries describe light changes and depth, not just decorate every edge; large areas should stay solid enough to remain readable from a distance. The result should feel luminous and slightly abrasive, a hard display signal rather than a glossy poster. Do not add scanlines, screen frames, menus, interface panels, smooth gradients, or extra hues. If the source is subdued, keep its proportions and spatial calm while allowing these four colors to bring the tension. Make the square-grid assembly visible even on smooth-looking surfaces such as skies or walls. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.