Richard Avedon White-Seamless Portrait

Re-render this image as a black-and-white large-format portrait in the manner of Richard Avedon's "In the American West" series, exposed on 8x10 inch Kodak Tri-X sheet film through a Deardorff view camera with a 12-inch lens at f/22, north-light or diffused open-shade illumination, no strobes, no fill, no flattering soft-box. Background: pure unbroken white seamless paper, edges blown to paper-white, no shadow on backdrop, subject appears to float against a void. Subject is rendered with absolute clinical clarity: every pore on skin, every hair, every fabric weave, every stitch of clothing, every fingernail edge resolved sharp. Tonality favors mid-grays and shadow detail, highlights on skin held just below paper-white so structure remains visible, deep blacks in eyes, nostrils, mouth aperture. Print presentation: full-frame 8x10 ratio, thick black border around the image (Avedon's signature mounting), generous negative space above head if source allows. Subject expression: do not soften, do not idealize, render exactly what the source shows including any asymmetry, fatigue, blemish, or unguarded micro-expression. No retouching, no skin smoothing, no eye brightening. Mood: confrontational dignity, the subject seen rather than flattered, the white void forcing the eye onto the face alone with no contextual escape. Forbid: any color, any environmental background, any soft-focus or beauty-dish gauze, any visible text or watermark or logo. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.