70s Grindhouse Exploitation Airbrush Lurid

Re-render this image in the visual register of 1970s American grindhouse and exploitation movie posters (42nd Street, drive-in, blaxploitation, kung fu, biker, slasher, roughly 1971 through 1979). Airbrush over photographic paste-up base: a heavily airbrushed painted overlay applied to a montage of high-contrast photo references, the seams between media visible and unhidden. Palette hot and clashing: blood-red, hazard-yellow, electric orange, deep purple-black, with metallic gold or silver accents and occasional shock-pink. Composition crammed: multiple scenes stacked, a dominant figure in the foreground three to four times scale of background figures, perspective deliberately broken for impact, asymmetric weight, lurching diagonals. Surface texture: cheap offset-print quality, dot-pattern halftone visible on the photo zones, painted zones overworked with airbrush highlights and hard outlines, occasional registration drift between color plates. Mood: lurid promise, violence and sex implied through composition and lighting rather than depicted, the poster doing the work of the trailer, every square inch selling. Strictly no on-canvas text, no title typography, no taglines, no legible lettering, no studio marks, no watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.