Drew Struzan Painted Ensemble Montage

Re-render this image in the visual register of Drew Struzan painted movie-poster ensemble illustration (Star Wars Special Edition, Indiana Jones, Back to the Future, Hook, Goonies, late 1970s through 1990s American blockbuster era). Hand-painted aesthetic: airbrush blended over a tight colored-pencil and acrylic understructure, no photographic detail, no digital cleanness. The painting describes the subject rather than reproduces it, soft edges where edges should be soft, hard rendered focus on eyes and hands where attention belongs. Palette warm and saturated: burnt sienna, deep umber, cadmium red, gold ochre, twilight cobalt, ivory highlights, the entire image lit as if by late-magic-hour sun or single warm key light. Background: a soft graduated warm field, often umber to gold, with subtle painterly suggestion of secondary elements rendered in lower saturation and softer focus, never sharp enough to compete with the primary subject. Composition: subject anchored center or slightly off-axis, with painterly motion at the periphery, lower thirds darker, upper thirds warmer light. Brushwork visible in clothing folds and hair, airbrush smooth on skin, colored-pencil cross-hatching detectable in shadow transitions. Mood: heroic mythic register, romantic adventure, the subject elevated to pantheon. Strictly no on-canvas text, no title typography, no legible lettering, no studio insignia, no signature, no watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.