Saul Bass Midcentury Cutpaper Graphic

Re-render this image in the visual register of Saul Bass midcentury film-poster graphic design (late 1950s through mid 1960s, Anatomy of a Murder, The Man With the Golden Arm, Vertigo, Bonjour Tristesse era). Treat the source as a cut-paper collage on flat colored ground. Reduce the subject to its silhouette and one or two interior planes, no rendering of texture, no shading, no gradients. Flat opaque color fields with hand-cut paper edges, slightly irregular, scissor-cut not laser-cut, the human hand visible at every contour. Limited palette: choose three colors maximum from a midcentury graphic register (cadmium red, deep mustard ochre, ivory black, cream paper-white, or a single saturated emerald or cobalt against warm off-white). One color dominates the field, one color carries the subject, one color punctuates a single critical element. Composition holds large negative space as active design, the subject does not fill the frame, the empty paper is part of the argument. Texture: subtle paper grain visible in the flat fields, slight off-register printing as a single ink pass, no halftone, no photographic detail. Mood: psychological tension reduced to geometry, the subject as symptom rather than person, the poster as the smallest unit of recruitment. Strictly no on-canvas text, no title cards, no legible lettering, no signature, no studio marks, no watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.