Polish Film Poster Surreal Painterly

Re-render this image in the visual register of the Polish Poster School (Henryk Tomaszewski, Jan Lenica, Franciszek Starowieyski, Waldemar Świerzy, 1950s through 1980s, the Warsaw school under state censorship). Painterly and surreal: gouache, ink, collage, and tempera on textured paper, never photographic, never digital. Treat the subject as metaphor rather than likeness, exaggerate one feature, distort one anatomical region, allow the body to dissolve into or fuse with an unrelated object that carries the emotional thesis. Palette muted and bruised: oxblood, ochre, umber, sage, charcoal, dirty cream, with one saturated accent (often a wound-red or a poisonous yellow). Surface visibly worked: brush drag, ink bleed, scratched-in texture, faint collage edges, the labor of the hand never hidden. Composition asymmetric, often unsettling, with the subject occupying an unexpected portion of the frame, large negative space active rather than empty, the viewer made to lean in. Mood: melancholic absurdity, gallows wit, the smile that is also a grimace, the private joke inside the official approval. Strictly no on-canvas text, no Polish lettering, no Cyrillic, no title cards, no legible writing, no signature, no watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.