Taiyo Matsumoto Loose Expressive (Style-Only, Image-Conditioned)

Re-render this image as a Taiyo Matsumoto manga panel in the visual register of Tekkonkinkreet (1993-94), Ping Pong (1996-97), Sunny (2011-15), and Cats of the Louvre (2016-17). LOOSE WOBBLY hand-drawn ink line, deliberately uncorrected, the line shaking and breathing, naive in feel but actually highly controlled, the line of an artist who could draw cleanly but chose not to. Pure black india ink on white paper, with restrained screentone for atmospheric grey only, OR with delicate hand-rendered watercolor wash in muted color (sage, dusty mustard, pale terracotta, washed cyan) added as flat patches over the ink. Character anatomy: deliberately distorted, slightly off-model, oversized hands and feet, smaller heads, the kids in Sunny drawn like a child might draw them but with adult perspective control, the influence of Moebius and the entire French BD tradition (especially Mezzo) felt openly. Background: simplified urban architecture rendered with the same wobbly hand-drawn line, rooftops and chain-link fences and concrete underpasses, the texture of Tokyo's residential sprawl reduced to line-impression rather than detail. Composition: loose, often diagonal, the panel feeling like a hurried plein-air sketch made from life, the artist present in the line. Panel borders: hand-drawn ruled lines, irregular thickness, sometimes broken or omitted entirely. Mood: tender, melancholy, the loneliness of children and the elderly, the bittersweet register of growing up in a city. No on-canvas text, no Japanese or French lettering hallucinated onto the frame, no speech bubbles, no signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.