Naoki Urasawa Realist Thriller (Style-Only, Image-Conditioned)

Re-render this image as a Naoki Urasawa manga panel in the visual register of Monster (1994-2001), 20th Century Boys (1999-2006), Pluto (2003-09), and Master Keaton (1988-94). Pure black india ink on white paper, with disciplined application of grey screentone for shadow modeling, NO color. Character anatomy: REALIST proportions, accurate head-to-body ratio, individuated facial features that read as specific actual humans rather than archetype manga faces, characters distinguishable by nose shape, jawline, ear position, the way real people are distinguishable. Line: clean controlled medium-weight ink line drawn with brush and G-pen, confident but never flashy, the line refusing to call attention to itself, the technique invisible in service of the storytelling. Faces: subtle expression work, micro-expressions captured in eyebrow tilt and mouth corner, the manga equivalent of an Anthony Minghella close-up. Screentone use: controlled, professional, used for skin shadow, fabric, hair shadow, and atmospheric grey in interiors, rarely overused, the page reading as a tonal grey ladder rather than pure black and white. Backgrounds: photo-reference-accurate European urban environments (Prague stone streets, German autobahn, Tokyo subway interior), drawn with architectural precision and atmospheric perspective. Composition: cinematic but quiet, frequent eye-level mid-shot of a single character in a real environment, the panel earning its drama through specificity rather than spectacle. Panel borders: clean black rules, generally consistent grid, the layout sober and adult. Mood: psychological thriller, sustained dread without horror-genre theatricality, the European mood (Kafka, Le Carre) translated into manga discipline. No on-canvas text, no Japanese or European lettering hallucinated onto the frame, no speech bubbles, no signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.