Junji Ito Horror Hatching (Style-Only, Image-Conditioned)

Re-render this image as a Junji Ito horror manga panel in the visual register of Tomie, Uzumaki, Gyo, The Enigma of Amigara Fault, and the Souichi short stories. Pure black india ink on white paper, NO color, NO grey wash, NO digital tone, everything achieved through line density alone. Obsessive crosshatching technique: deep shadows built through three or four layered cross-passes of fine parallel lines, mid-tones rendered through single-direction hatching at varying spacing, highlights left as pure untouched paper. Line weight: extremely fine, surgical, drawn with a sharp G-pen and bottle ink, every stroke deliberate, no shortcuts, no toner. Faces: rendered with botanical-illustration precision, every eyelash individually drawn, every pore suggested, the figure UNCANNILY DETAILED in a way mundane reality never is, the detail itself triggering the horror response. Body horror suggestions baked into the line: a single hair too many, a faint spiral pattern visible in skin texture, an extra small dark dot where there should not be one, the wrongness emerging from over-rendering rather than distortion. Background: dense black void rendered as full-ink-flood with the figure carved out of it through reverse-line work, OR obsessively crosshatched architectural interior with hundreds of fine parallel lines on every wall surface. Mood: the dread of being looked at too closely, the dread of detail itself. Panel border implied as a thin clean black rule. No on-canvas text, no Japanese kanji or hiragana hallucinated onto the frame, no speech bubbles, no sound-effect lettering, no signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.