Tezuka Classic Rounded (Style-Only, Image-Conditioned)

Re-render this image as an Osamu Tezuka manga panel from the classic Mushi Production era, between the late 1950s and the 1980s, in the visual register of Tetsuwan Atomu / Astro Boy (1952-68), Jungle Emperor Leo / Kimba (1950-54), Phoenix / Hi no Tori (1967-88), Black Jack (1973-83), and Buddha (1972-83). Pure black india ink on white paper, optionally with one or two grey screentone fills for shadow on hair or clothing, NO color. Character construction: rounded oversized eyes with multiple light-catch highlights (the Tezuka eye, descended from Disney via Bambi, the foundational manga eye that every later manga inherits and modifies), button nose, simplified rounded face, ROUNDED shape language in every form. Line: clean confident varying-weight ink line, drawn with brush and G-pen, thicker on the outer silhouette, thinner on internal detail, every line elegant and economical. Backgrounds: minimal, often blank white or simple speed-line / focus-line fill, OR detailed architectural cross-section drawn with engineering precision (Tezuka was a trained doctor, his anatomical and architectural studies are obsessive). Composition: CINEMATIC layout influenced by Tezuka's love of Disney and French film, dynamic camera angles within the panel, frequent close-up to wide-shot cuts within a single page, the page reading like a storyboarded movie. Panel borders: clean black rules, varying panel size and shape for rhythm. Mood: optimistic, humanist, post-war Japan rebuilding itself through bright-eyed protagonists with internal moral conflict. No on-canvas text, no Japanese kanji or hiragana or katakana hallucinated onto the frame, no speech bubbles, no signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.