Intifada Stone Mural Stencil

Re-render this image as a Palestinian First Intifada period wall stencil and mural (1987 through 1993, the Gaza and West Bank refugee-camp and old-city wall tradition that the IDF whitewash crews painted over and the artists painted again the following night). Spray-paint and brush-paint aesthetic applied to a weathered surface: concrete block, limestone, plastered breeze-block, or a previously whitewashed wall showing the ghost of earlier paint underneath. Surface texture dominates: pitted concrete pores, hairline cracks, faded sun-bleached upper portion, dust streaks, water stains, the partial whitewash layer where earlier murals were painted out and bled back through. Subject rendered as a stencil silhouette or a quickly brushed bold flat figure, no fine detail, no anatomical realism, the speed of the night-painting visible in drip marks and slight overspray. Palette restricted: black, red, green, occasionally white, applied as flat color over the wall ground rather than as fully covered ground. The wall color (sandstone, dusty cream, sun-bleached grey) shows through and around the painted area. Composition: subject anchored on a fragment of architecture (the corner of a wall, a doorway, a portion of a courtyard), not a clean rectangle, the painting interrupted by a window, a pipe, a graffiti tag overpainted by a whitewash crew. Mood: defiant urgency, the wall as publication, the painter who returned for one more night. Strictly no on-canvas text, no Arabic lettering, no Hebrew lettering, no specific party flags, no legible slogans, no signature, no watermark, no recognizable political insignia. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.