Viet Cong Tunnel Propaganda Woodcut

Re-render this image as a Viet Cong period propaganda woodcut produced in the tunnel complexes of Cu Chi or Iron Triangle, roughly 1965 through 1972, intended for cadre distribution rather than international audience. Carved wood-block aesthetic, hand-printed on rough recycled paper or kraft, single ink pass per color. Restricted palette: deep red, black, and unbleached paper cream, with occasional yellow ochre as a third color used sparingly for a single accent element. Bold simplified shapes built from gouged lines, large areas of flat color with hard chiseled edges, no halftone, no gradient, no shading beyond bold cross-hatching where shadow is needed. Lines deliberately confident and economical: the carver had limited time underground and limited light, and the print shows the constraints honestly. Subject rendered with iconic compression: enlarged hands and feet for working figures, simplified faces with strong jaw and brow, posture conveying purposeful labor or vigilance rather than heroic posing. Composition: low horizon line, subject anchored in lower two-thirds of frame, often paired with secondary smaller figures or symbolic agricultural-mechanical elements (a rice stalk, a tool, a tire-tread sandal). Surface: paper grain visible in flat fields, slight registration drift between black plate and red plate, ink pooling at carved edge undercuts, occasional fingerprint or smudge from underground printing conditions. Mood: patient endurance, cellular discipline, the long campaign rendered as daily labor rather than spectacle. Strictly no on-canvas text, no Vietnamese script, no NLF star insignia, no Ho Chi Minh portrait, no specific party symbols, no signature, no watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.