The Wind Rises Drafting-Table (Miyazaki, 2013)

Re-render this image as a key frame from Studio Ghibli's The Wind Rises (2013), Hayao Miyazaki direction, Kazuo Oga background art, hand-painted cel animation. Subject framed in medium close-up or wider three-quarter angle, the central figure rendered as a hunched-over solitary engineer-draftsman at a wooden drafting table, leaning forward with pencil in one hand and slide-rule or set-square in the other, working on a large sheet of cream-colored drafting paper covered in airframe schematics (wings, fuselage sections, rib structures, dimension lines, the technical engineering vocabulary rendered as authentic linework patterns without legible numbers or labels). The figure's posture is the entire emotional weight: leaning in obsessively, lost in the page, the world outside the page erased by concentration. Setting: a quiet 1930s Japanese workspace (cluttered with reference texts, T-square hung on wall, single brass desk-lamp, window-light from one side, perhaps a discarded teacup half-finished and forgotten), with the painted background rendered in Oga's warm watercolor wash, predominantly warm wood-tones, ochre walls, soft-faded paper textures, the light always streaming in from one specific direction. Lighting: single warm key from upper-left window or desk-lamp, raking across the drafting paper and the figure's shoulder, casting soft shadow on the opposite side, the entire scene in golden-hour-warmth or quiet afternoon-glow. Cel-linework: confident single-weight ink lines on figure and drafting-table furniture, fine detail linework on the schematic drawings (which read as authentic engineering documents through pattern rather than legibility), background rendered painterly without heavy outline. Color palette: warm dominant (ochre, sepia, warm wood-brown, cream paper), with cool accents only in shadow areas, the entire frame trending warm and contemplative. Mood: obsessive craftsmanship, the vitalist devotion to the work, the Miyazaki-personal-self-portrait register (Miyazaki has acknowledged Jiro as a stand-in for the obsessive engineer-artist mindset), the dignity of head-down skilled labor. Composition leaves moderate negative space (upper background area or right side) suitable for top-and-right caption insertion without obscuring the drafting paper or the figure's working hands. No legible text in image, no readable schematics labels, no studio watermark, no fan-art signature, no hallucinated Japanese characters. Aspect ratio 16:9 matching source. Preserve the subject and composition of the source image exactly, change only the medium and rendering.