Kandinsky Geometric Abstraction (Style-Only, Image-Conditioned)

Re-render this image as a Wassily Kandinsky geometric abstraction from the 1925 to 1935 period, in the visual register of "Composition" series and Bauhaus-era work. The entire canvas filled with a controlled composition of geometric forms: circles (perfect or slightly imperfect), triangles (equilateral and isosceles), rectangles, lines (some straight, some curved), arcs and segments. Forms arranged with mathematical intention but not rigidity, achieving a balance between order and spontaneity. Color restricted to primary colors (cadmium red, ultramarine blue, cadmium yellow), black, white, and occasional secondary colors (orange, green, purple) used as accents. Each form outlined in bold black sumi ink or geometric line, the black an essential compositional element separating forms and creating rhythm. Composition balanced across the vertical axis with occasional asymmetry for visual interest. Forms overlapping without optical mixing, all layers readable. Aspect: musical, spiritual, the visible translation of harmony and discord into geometric language. No curves that look organic, all curves calculated and architectural. No on-canvas text, no legible symbol, no signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.