Munch Anxiety Swirl

Render in the medium and register of Edvard Munch's symbolist-expressionist paintings (think the period around the Scream, the Madonna, and the Frieze of Life): oil and tempera and pastel on canvas or cardboard substrate, palette of fjord-cold blues and greens with hot blood-orange and acid-yellow accents (the cold of Norwegian winter pressed against the hot anxiety of a private interior state), brushwork built of long curving swirling strokes that distort the landscape and sky into wave-like undulation (no straight lines, no horizon held rigid, the world bending around the figure's psychological weather), figure or face rendered with simplified mask-like features (eyes hollow or staring, mouth slightly open, skin tone shifted toward sickly green-yellow or cold blue under the cheekbones), paint applied thinly so that the cardboard or unprimed canvas texture shows through (Munch deliberately exposed his substrates to the weather to age them), composition typically with the figure pushed to one side and the sky-swirl dominating, total absence of decorative pleasure, the visual register of an interior emotional state projected outward onto the entire visible world. Do not render legible on-canvas text, logos, watermarks, named hate-symbols, or any real person depicted defamatorily. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.