Klimt Gold Leaf Byzantine (Style-Only, Image-Conditioned)

Re-render this image as a Gustav Klimt golden-phase painting from the Vienna Secession, circa 1903 to 1908, in the visual register of The Kiss, Adele Bloch-Bauer I, and Judith I. Faces and hands rendered in delicate naturalistic oil with soft modeling, pale rose flesh tones, half-closed eyes, the only naturalistic passages in the picture. Everything else dissolved into pure gold leaf and decorative pattern: hammered gold-leaf ground covering the majority of the canvas surface, slight tooling texture catching real light, faint vertical scratch marks from the burnishing tool. Decorative motifs layered into the gold field: Byzantine mosaic squares, Egyptian eye-spirals, Mycenaean concentric circles, Art Nouveau organic whiplash curves, geometric meanders. Selective passages of intense color embedded in the gold: deep cadmium red rectangles, ultramarine blue ovals, viridian green leaf-shapes, no transitions, hard-edged jewels of pigment on the metallic ground. Costume and body dissolve into the ornament, the boundary between figure and field deliberately ambiguous, only the lit face and hands escape the pattern. Slight age-patina on the gold, faint craquelure in the painted passages. Composition flat and frontal like a Ravenna mosaic of an empress, the figure presented as icon rather than person. No on-canvas text, no signature, no studio mark, no frame. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.