Rietveld Spatial Primary Plane (Style-Only, Image-Conditioned)

Re-render this image in the visual register of a Gerrit Rietveld De Stijl object or interior, somewhere between the Red and Blue Chair (1918) and the Schroder House (1924). Treat the subject as if it were rebuilt from intersecting flat planes and slender black-lacquered structural members. Planes are painted in flat unmodulated cadmium red, chrome yellow, ultramarine blue, and chalk white, each plane one solid color, no gradient, no atmospheric shading. Structural members (the equivalent of the chair's wooden battens) are lampblack-lacquered slender bars, square in cross section, terminating cleanly at exposed cut ends. Planes float and intersect at right angles only, slight visible gap or shadow where they meet, never welded into mass. Render against a neutral warm-grey or unbleached-cotton ground that lets the primary planes pop. Surface is lacquered, faint sheen, no brushwork visible, the finish of furniture-grade enamel rather than oil paint. Mood: domestic, didactic, the doctrine of De Stijl applied to the apparatus of daily living. The composition feels like the Mondrian grid stepped out of the canvas and demanded you sit on it. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.