DBZ Scouter Power Level Readout POV

Re-render this image as a frame from Dragon Ball Z (Toei Animation, 1989-1991 Saiyan-and-Frieza Saga era) Akira Toriyama character design, depicting the first-person point-of-view through a Saiyan scouter lens. Framing as if looking through a tinted curved-glass eyepiece: faint green-tinted vignette around the frame edge, slight pincushion distortion at the corners, narrow horizontal sensor-bar visible at the bottom edge of the lens. The subject from the source image positioned at frame-center, framed inside a thin green wireframe targeting bracket (corner-marks only, four L-shaped angle marks) overlaid on top of the subject. Around the subject within the bracket: a sparse scatter of unintelligible alien-glyph readout marks rendered as faint green stylized non-letter shapes (no real numerals, no recognizable digits, no Latin or Roman or Arabic characters, just abstract glyph-flecks suggesting a readout-in-progress). Subject's environment rendered in slightly desaturated tones owing to the green lens-tint over the whole frame. A faint targeting reticle (small cross or dot) at the dead-center of the lens. Subtle scanline texture across the whole lens-view at low opacity. Background outside the targeting bracket remains the source environment but tinted green. Lighting: ambient lighting of the source environment, but uniformly biased toward the green-cyan side by the lens-tint. Cel-animation linework: heavy confident Toriyama-school ink for the subject within the bracket, thin precise green vector lines for the HUD elements (bracket, reticle, glyphs, vignette boundary). Color palette: green and cyan dominant over the whole frame, subject's natural colors muted by the green tint, HUD elements in bright green. Mood: the measurement-fetish register where the act of reading the power level threatens to replace the act of fighting, the simulation of strength priced through the lens becomes more real than the strength itself, the moment before Vegeta crushes the scouter in his fist because the map has become the territory and the territory is offended. Composition leaves the lower band of the lens open for caption insertion. No legible text, no real numerals, no logo, no watermark, no Latin or other recognizable script anywhere in the frame. Aspect ratio 16:9 matching source. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.