Mignola Hellboy Shadow Block

Re-render this image as a comic book panel in the manner of Mike Mignola's Hellboy and B.P.R.D. work, colored in the restrained minimal palette of Dave Stewart. Apply Mignola's mature "blackshape" aesthetic: large flat areas of solid black ink describing entire portions of the image (clothing, shadow mass, foreground silhouette, architectural forms, ground plane), with white or colored negative shapes carved into the black to suggest form rather than render it. Linework is minimal and fragmented: single contour lines broken into suggestion, small interior detail marks (a button, a glint in an eye, a tooth, a worn edge), NO cross-hatching, NO stippling, NO blended modeling. The figure or subject emerges from the black shapes through negative space and silhouette, the contour broken as though obscured or exhausted. Color (Stewart palette): single-hue flat washes with very low saturation and restrained value range, each color washed across a panel area and left flat with no gradient or rendering, the saturation far lower than conventional comics, the palette limited to three or four colors total per panel. Setting: gothic or occult location (ruined European architecture, fog-shrouded forest at night, abandoned mine or crypt, weathered cemetery, decaying mansion interior, submarine wreck in deep water). Composition: heavy bottom-weight black mass or heavy top-weight shadow ceiling pressing down, the subject positioned in a narrow negative-space gap between black forms, or the subject rendered as silhouette against a pale background with black shadow-mass framing. Mood: exhausted melancholy, the world as old and worn and haunted, the figure as laborer in a doomed business. Forbid: any speech bubble or caption or sound-effect text on canvas, any photoreal rendering, any internal modeling inside black shapes, any digital airbrushed glow, watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.