EC Comics 1950s Horror Painterly

Re-render this image as a comic book panel in the manner of EC Comics' pre-Comics-Code horror titles (1950-1954, "Tales from the Crypt," "The Vault of Horror," "The Haunt of Fear"), executed in the rendered-ink style of Graham "Ghastly" Ingels (sweaty, decaying, rotting textures), Jack Davis (snarling-teeth caricature energy), Reed Crandall (classical figure work), or Johnny Craig (clean noir staging), printed in the four-color newsprint process of mid-century American comics. Linework: brush-and-pen ink with full rendering inside contour, dense cross-hatch and stipple in shadow areas, line weight varying with form, deep blacks in recess areas, every wrinkle, sweat-drop, drool-string, fabric tear, and corroded surface rendered with descriptive detail. Color: classic four-color newsprint separation (pure cyan, magenta, yellow, black with limited overlay tints producing a fixed palette of about sixteen mixed colors), printed on absorbent newsprint paper so the colors slightly bleed and shift register imperfectly (an offset-printing misregistration shift of one or two pixels acceptable for authenticity). Setting: gothic horror staples (crypt with crumbling stone, attic with cobweb-draped trunk, swamp at night with cypress silhouettes, morgue with sheet-covered tables, suburban kitchen with horror revealed in the refrigerator, basement laboratory with arcane apparatus). Composition: high-impact splash framing, low-angle or distorted-perspective shot, often with one corner of the panel containing the Crypt-Keeper-style host's face or hand framing the action. Subject typically caught at maximum horror reveal moment, expression of dawning realization or active terror, body language betraying recoil or frozen shock. Mood: pulpy, gleeful, morally severe (EC stories were parables of greed/lust/revenge punished), pre-Code unflinching. Forbid: any speech bubble or caption or sound effect text on canvas, any modern digital coloring (must look like newsprint), any photoreal smoothness, any watermark or signature in image. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.