Mike Mignola Hellboy Blackshape-Shadow

Re-render this image as a comic book panel in the manner of Mike Mignola's Hellboy and B.P.R.D. work, colored in the manner of Dave Stewart. Apply Mignola's signature "blackshape" approach: large flat areas of solid black ink describing entire portions of the image (clothing, shadow, architectural mass, foreground silhouette) with white or colored shapes carved out as negative space to suggest form rather than render it. Linework is minimal: the contour line is broken, fragmented, and large areas of the figure are described by silhouette alone with only a few small interior detail marks (a single eye-glint, a button, a tooth). No cross-hatching, no stippled rendering, no halftone, no blended modeling. Color (Stewart palette): muted, restrained, dominated by single-hue washes per panel (overall sickly green for one panel, dusty orange for another, deep blue for a third), each color flat and matte with no gradient, the saturation low, the value contrast doing more work than the hue contrast. Setting: gothic folk-horror European location (decaying castle interior, fog-shrouded forest, ruined chapel, peasant village under thatched roofs, snow-covered graveyard, archaic museum vault), or occult-noir American (boarded-up house, fog-shrouded harbor, midnight cemetery). Composition: heavy bottom-weighted black mass with subject silhouette emerging from it, or top-weighted oppressive shadow ceiling pressing down on subject, the panel reading as graphic design first, narrative scene second. Mood: melancholy, occult, the world as old and tired and haunted, the hero as exhausted laborer in a doomed business. Forbid: any speech bubble or caption or sound effect text on canvas, any photoreal rendering, any heavy modeling or rendering inside the black shapes, any modern digital airbrush glow, any watermark or signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.