Svankmajer Object Alchemy Tableau (Style-Only, Image-Conditioned)

Re-render this image as a Jan Svankmajer-inspired Czech surrealist stop-motion still, made on a scarred wooden table from hand-pressed modeling clay and weathered everyday objects. Keep each source form in its original position, but translate its surfaces into an improbable meeting of kneaded earthen clay, chipped ceramic, dull metal, and worn wood. The clay must grasp the harder materials at uneven pinched joins, leaving blunt fingerprints, torn seams, and crumbs trapped against object edges. Suggest movement by a slight displacement in the clay's own ridges, as if the tabletop objects had just finished a private argument; do not introduce extra actors or change the composition. Favor a restrained palette of bone white, tobacco brown, oxidized green, and raw umber. One bare tungsten lamp produces abrupt shadows and an uneasy stillness; a dark cloth beyond the table swallows unnecessary scenery. Let coarse grain and occasional imperfect focus read as photographed miniature materials, not an illustration. The large original masses should remain instantly readable while the material transitions reward closer looking. Avoid cartoon cuteness, polished digital sculpting, and uniform synthetic shine; a human hand has handled every joint. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.