Bayer Universal Typography Field (Style-Only, Image-Conditioned)

Re-render this image in the visual register of a Herbert Bayer Bauhaus Dessau poster from 1925 to 1928, with one critical constraint: render only the visual field, never any readable letterforms. Treat the picture surface as a graphic-design composition built on an exposed orthogonal grid: heavy horizontal and vertical color bars in cadmium red, chrome yellow, cobalt blue, and stark black, laid against unbleached newsprint cream or pure paper white. Allow circular and rectangular planes to overlap at right angles, never on diagonals. The underlying subject sits inside the grid as if it were a photographic plate inset into a Bauhaus poster, the bars framing and dividing it without obscuring its core. Suggest typographic presence through geometric shapes that read as letter-adjacent (circles, half-circles, rectangles) but resolve into pure form rather than legible characters. Flat unmodulated color, no gradients, no airbrush, no shadow, hard mechanical edges as if printed by offset lithography on rough stock with slight misregistration showing a 1mm color halo at one or two seams. Mood: didactic, optimistic, the design as instruction manual for a rationalized public sphere. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.