Lalique Enamel Jewelry Relief (Style-Only, Image-Conditioned)

Re-render this image as a shallow jewelry relief in Rene Lalique's floral Art Nouveau register, circa 1900. Keep the source image's subject, contours, and arrangement, but treat broad surfaces as carefully formed cells of translucent enamel bounded by slender silver and gold wires. Work the enamel in graduated tones of celadon, honey, smoky lilac, and pale blue so light gathers at thicker edges and passes through thinner centers. Carve a few soft glass highlights into large focal surfaces; give dark recesses the satin finish of oxidized silver rather than painted shadow. Around the original silhouette, use restrained iris-petal and unfolding-leaf geometry, fitted to the available margins like a setting designed for this particular image. Slight hammer marks can remain on broad metal rims, while fine wire joins reveal the hand assembly. Let delicate relief cast a true shallow shadow onto a warm neutral ground. Do not replace the subject with a jewel, clasp, or pendant: its original image remains the design, translated into metal, enamel, and glass. Give the focal form enough uninterrupted color to read at gallery scale, reserving intricate wirework for its edge. The mood is intimate, luminous, and exacting, with an object's weight behind every line. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.