Factory Peter Saville Minimal (Style-Only, Image-Conditioned)

Re-render this image as a Factory Records LP sleeve from the Peter Saville design era, between 1979 and 1989, in the visual register of Joy Division Unknown Pleasures, Joy Division Closer, New Order Movement, New Order Power Corruption and Lies, and Section 25 From the Hip. Extreme reductive minimalism: source image transformed into a single graphic element, isolated against a vast black or off-white ground, the surrounding negative space doing 80% of the design work. Transformation options for the source image: (a) reduced to a data-visualization-style line plot in fine white stroke on solid black, every contour of the source rendered as a graphed waveform, (b) reproduced as a postcard-scale floral or classical-painting fragment placed in the upper-left third of an otherwise blank cover, surrounded by perfectly justified small color-coded letterforms, (c) silver-gilt foil-blocked silhouette of the source against unprinted black board. Typography compositional space: a tiny block of dense small-caps Helvetica or Bembo at one specific corner (do NOT render legible text, just suggest the typographic mass of 4-5 lines of small set type, perfectly justified, no decoration). Color: severely restricted, often pure black plus one accent (cyan, magenta, or yellow as a fragment of color-bar reference at the corner), or a Bauhaus primary triad (red, blue, yellow) used as flat blocks. Material: matte uncoated card stock with deboss texture rather than gloss, the package itself an object. Square 12-inch LP-jacket aspect ratio. The cover withholds band name and album title on the front, refuses to advertise itself. No legible text, no logos, no Factory bug. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.