Millennium Vector Interface Collage (Style-Only, Image-Conditioned)

Re-render this image as a turn-of-the-millennium experimental vector interface collage built from clean geometric overlays, in the lineage of late-1990s British digital graphics but without a cover-art layout. Retain the original subject, pose, and relative placement as the dominant silhouette. Map a small system of cropped circles, concentric rings, angular cutout panels, and thin alignment rules onto its existing planes as if the surfaces had been diagrammed by a plotter. Make every inserted mark abstract and nonlinguistic: no simulated labels, numerals, pictograms, or glyph-like clusters. Use silver-white, safety orange, ice cyan, and midnight navy in clearly separated flat zones; reserve one narrow patch of reflective gradient for contrast with the matte vector layers. Build dimensionality through translucent overprints and precisely registered contours rather than invented interface screens. Let a few bars terminate abruptly at the subject boundary so the image reads as constructed, not as a printed poster pasted behind it. Introduce minute raster softness at panel edges, faint misregistration of the cyan layer, and sparse scanline-like bands that remain subordinate to the large geometry. The result should feel urgent and engineered yet still let the source image be recognized instantly. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.