Biomechanical HR Giger Flesh

Render the source as a tattoo composition in the biomechanical tradition referenced through HR Giger's lineage of fused-organic-and-mechanical anatomy. Subject reinterpreted as a hybrid of biological tissue and machine architecture: ribbed exoskeletal plates, vertebral cabling, hydraulic-tendon bundles, tube and conduit anatomy, riveted seams along organic curves, bone fused into chassis structure. Render entirely in greyscale tattoo work: dense black shadow, smooth mid-grey wash, sparing pure-skin negative highlight. Line work executed as soft black-and-grey realism: minimal hard outline, value built from layered grey wash, deep solid black reserved for the deepest crevices. Composition asymmetrical and architectural rather than symmetrical, with negative-space skin gaps suggesting where the machine emerges from organic tissue. Surface render: smooth healed tattoo, slight raised-ink suggestion in the deepest blacks, no color, no metallic specular highlight (the perception of metal comes from value structure alone). Background: the source's underlying skin tone as ambient. Color palette: black, full grey wash range, source skin tone as the only other value. Mood: the body acknowledged as machine, the machine acknowledged as the only piece of hardware the bearer will never be locked out of. No legible on-canvas text, no logos, no named hate-symbols, no real-person defamation. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.