Dotwork Stippling Mandala

Render the source as a tattoo composition built entirely from densities of individual stippled dots in the contemporary dotwork-mandala tradition. No line work, no fills, no gradients in the painterly sense, only dots of consistent size whose spacing varies to create perceived value. Dense regions read as solid black, medium regions as mid-grey, sparse regions as nearly the underlying tone. Composition organized around radial geometric symmetry: a primary mandala structure either framing the subject or overlaid as a halo, with secondary geometric ornaments (sacred-geometry triangle networks, dotted concentric arcs, repeating spoke patterns) extending outward. Crisp geometric edges where mandala sectors meet, hand-stippled organic texture inside each sector. Color: pure deep black ink dots only, the source's underlying tone reading through the sparse regions. Surface: clean fresh-skin-style render, slight raised-ink suggestion at the densest regions. Background: skin tone of the source as ambient. Color palette: black, skin tone, nothing else. Mood: meditative, the kind of mark that takes ten hours to apply and announces by its existence that the bearer chose to sit still that long. No legible on-canvas text, no logos, no named hate-symbols, no real-person defamation. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.