Polynesian Tatau Tribal

Render the source in the visual lineage of traditional Polynesian tatau, with reference to Samoan, Tongan, and Marquesan tatau geometries. Composition built from large solid black fields broken by precise white negative-space motifs: rows of small triangles (shark teeth), parallel line bands, spear-tip rows, enata (small human figures arranged in repeating rows), and curved bracket motifs. No half-tone, no shading, no gradient, only deep solid black and clean negative space. Motif arrangement organized in horizontal or vertical bands following the natural contours of the subject, with crisp band edges between regions of different motif density. Line work uses no outline strokes, only filled black masses against the underlying tone of the source. Color palette: deep matte tatau black, the underlying tone of the source as the only other value, no mid-tones, no color. Render as if hand-tapped with traditional au tools, slight irregularity in line edge consistent with hand-tap technique rather than machine work. Mood: ancestral mark, the kind of mark that names the bearer's lineage in a way no platform can de-rank or unsubscribe. No legible on-canvas text, no logos, no named hate-symbols, no real-person defamation. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.