Huber Transparent Color Planes (Style-Only, Image-Conditioned)

Re-render this image as a wordless graphic composition inspired by Max Huber's postwar poster experiments. Keep the subject in the same pose and location, interpreting its major planes as clean, sharply masked shapes. Print three broad transparent layers of process cyan, warm yellow, and magenta-red on pale paper. Where layers intersect, let real subtractive ink mixing create a dark violet, leaf green, or hot orange third color; the overlaps must be visible as physical print events, not airbrushed gradients. Cut one strong diagonal band across the composition, timed to the subject's existing directional energy, while anchoring every band and crop to a strict modular grid. Give each stencil edge a little screen-print ink buildup and a hairline of deliberate misregistration, enough to reveal the sequence of passes. Avoid tiny fragments: the color shapes should hold together at a glance. Leave a generous clean field for the external title overlay, with no graphic marks competing there. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Mood: optimistic acceleration under mathematical control, lively without visual clutter. The image must work without lettering even though its historical reference often used type. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.