Crouwel Modular Grid Optics (Style-Only, Image-Conditioned)

Re-render this image as an image-only exercise in the modular precision associated with Wim Crouwel and the postwar Dutch and Swiss graphic grid. This is not a type specimen: express the system through shapes alone. Divide the visual field into a large, visible matrix of square units, each edged by narrow gutters. Build the source subject from crisp blocks, quarter circles, and repeated short bars snapped to that matrix while keeping its identity, pose, and relative composition readable. Let clusters of dark units densify around the subject and fall away into a wide, clean white field; empty modules count as deliberate marks, not unfinished areas. Print the dark forms in blue-black offset ink with a restrained cyan second pass over select blocks, causing a few deliberate overlaps and slight registration drift at the perimeter. Give the sheet the barely visible grain of smooth uncoated stock and let mechanical repetition produce the optical vibration instead of glow or digital noise. Keep modules broad, with a strong silhouette recognizable from a distance. Reserve a large unoccupied field for the separate title overlay, never fill it with typographic substitutes. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. The mood is analytic, buoyant, and lucid. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.