Muller-Brockmann Concentric Grid (Style-Only, Image-Conditioned)

Re-render this image as an image-only International Typographic Style composition in the spirit of Josef Muller-Brockmann's midcentury concert posters. Translate the source subject into a decisive silhouette built from flat ink shapes, keeping its pose and relative placement intact. Construct a strict twelve-column grid in the background, perceptible through the alignment of every edge and circle center rather than through printed guidelines. Draw a family of large concentric circles with a compass: each ring has even weight, clean mechanical edges, and measured spacing. Let the circles intersect or frame the subject as pulses of sound made visible; retain unmistakable subject contours at the crossings. Print solid black and a single vermilion accent on warm uncoated white stock. Tiny press misregistration at one red edge and mild paper tooth supply the only irregularities. Keep the radial construction bold enough to read at thumbnail size, not as an intricate optical maze. Reserve a large, genuinely clean field for an external title overlay, not a printed title. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. The feeling is public, disciplined, and rhythmically alive, like a visual score with no words. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.