Max Ernst Frottage Forest

Re-render this image in the visual register of a Max Ernst 1927 to 1942 frottage-grattage forest painting, as if pigment were laid on canvas over wood grain rubbed through with graphite, then partially scraped away with a palette knife to reveal layered geological strata of color underneath. Surface is dense crusty oil with visible parallel rubbing-grain striations, fan-shaped grattage marks, and a few decalcomania bubble-patterns from blotted paint. Palette: oxidized copper green, deep umber, blue-black night, with a single pale moon disc or sun disc rendered as a smooth circular halo of bone white or vermilion. The forest reads as vertical petrified columns or coral towers, dense and lateral. A small bird or hybrid creature occupies the foreground as silent witness. Mood: pre-human geological time, the unconscious presented as a forest older than language, an indifferent organic intelligence watching from inside the bark. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.