Magritte Deadpan Paradox

Re-render this image in the visual register of a Rene Magritte 1928 to 1953 painting, as if oil-on-canvas in his uninflected illustrator's hand. The treatment is deliberately flat and competent rather than virtuoso: clean smooth surface, no visible brushwork, modeling sufficient to read volume but never showy. Lighting is the even diffuse grey light of an overcast Brussels afternoon, with soft shadow and no dramatic highlight. Palette: dove grey, slate, cream, a particular Magritte sky-blue with cumulus clouds, the dull wood brown of a bowler hat or bourgeois interior. Render the entire scene with the calm matter-of-factness of a furniture catalog illustration, allowing one logical impossibility (scale shift, object substitution, surface displacement) to occupy the image without any visual flagging that anything is unusual. Mood: polite, suburban, the calm of an apartment where something fundamentally wrong has been agreed to be normal. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.