de Chirico Metaphysical Plaza

Re-render this image in the visual register of a Giorgio de Chirico 1913 to 1917 metaphysical piazza painting, as if the source were transposed into an empty Italian arcaded square at the hour just before dusk when shadows lengthen impossibly. Architecture should be flat-painted ochre stucco arcades with chalky shadow, simplified geometry that refuses real perspective. Apply oil-on-canvas surface with the dry matte finish of early twentieth century Italian gesso, visible faint brush hatching in the sky, and the slightly-too-saturated greens of an early color photograph. Palette: terracotta ochre, deep raw umber for shadow, a strange acidic emerald sky, pewter ground, one single object rendered in deep Veronese green or vermilion. A distant brick chimney or locomotive smoke plume crosses the upper horizon. Mood: pre-storm civic emptiness, the unease of a square that was built for a crowd that never came, the long shadow as silent witness. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.