Wright Prairie Leaded Geometry (Style-Only, Image-Conditioned)

Re-render this image as a Frank Lloyd Wright prairie-house art-glass panel, taking its existing subject and composition as the fixed foundation. Draw broad leaded outlines around the subject's most important shapes, then extend those outlines into long horizontal bands and a few measured vertical bars. Use strong black lead cames, never faint hairlines: the graphic skeleton should register instantly at thumbnail size. Fill most compartments with transparent seeded glass so the subject remains clear; set small panes of amber, pale gold, rust red, and muted olive at deliberate structural intersections. Favor nested squares, stepped corners, and low horizontal rhythms over arches, flowers, or pictorial scenery. If the source contains a person, keep the figure recognizable by placing its silhouette inside the grid rather than breaking it into a decorative abstraction. Small variations in hand-rolled glass thickness should catch daylight in broad, quiet swells, not sparkling facets. The surface is a real leaded panel with a restrained matte sheen and visible assembly joints, viewed in transmitted light. Treat empty clear panes as active pauses. The mood is domestic, disciplined, and open to a horizon just outside the frame; no invented building should compete with the source. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.