Fountain Fade Ink Gradient (Style-Only, Image-Conditioned)

Re-render this image as a risograph print organized around a slow ink fade, drawing on the quiet color-field sensibility of Luis Barragan and contemporary independent stencil-print studios. Keep the source forms intact, but map their broadest illuminated plane into a long vertical passage from saturated vermilion at one end to pale, almost unprinted paper at the other. Achieve the fade through progressively sparser stencil coverage and changing dot size, not a flawlessly smooth digital blend. A second midnight-blue drum prints the subject's essential contours and a few broad shadow shapes; let its thin areas reveal faint grain and the warm paper beneath. The vermilion pass has slightly inconsistent ink pressure across its width, making a subtle irregular horizon where one density yields to another. Avoid random bands, rainbow colors, or a painted watercolor wash. The full design uses one warm ink, one cool ink, and the sheet itself. Preserve bold silhouettes and a clearly staged center of visual weight so the image remains readable at small scale. Allow the blue to cross the fading field, producing a few dark violet overprint accents near the focus. Mood: spacious, warm, and deliberately unfinished at the lightest edge. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.