Chinese Tiao Hua / Jianzhi (Folk Papercut Propaganda)

Re-render this image in the visual register of traditional Chinese folk papercut, jianzhi, in the Shaanxi and Hebei rural lineage adapted for mid-twentieth-century state propaganda use. The entire composition appears as if cut from a single sheet of vivid vermilion red paper laid on a flat off-white background. The subject is rendered as a connected silhouette with internal detail cut out as negative-space openings: small geometric apertures, stylized floral motifs, lattice patterns, symbolic plant and animal elements integrated into clothing and surrounding compositional frame. All forms are connected, no element floats free, every aperture follows the unbroken-paper logic of the craft. Symmetrical balance preferred where the source pose allows. Border treatment: a decorative cut frame of repeating lotus, peony, or wave motifs running around the canvas edge in the same red. Mood: handmade, festive, vernacular, the visual register of a Lunar New Year window decoration weaponized for state messaging. No text, no Chinese characters, no Latin letters, no numerals, no script of any kind anywhere on the canvas. Paper texture: slight visible fiber on the red paper, faint paste residue at corners suggesting it was just affixed to a window. No watermarks, no logos. Preserve the subject and pose of the source image translated into this connected-cut silhouette register, change only the medium and rendering.