Soviet Constructivist (Rodchenko / Lissitzky)

Re-render this image as a Soviet constructivist poster in the lineage of Alexander Rodchenko, El Lissitzky, and Gustav Klutsis circa 1923 to 1929. Hard-edged geometric composition built from intersecting diagonals at 30 and 60 degree angles. Three-color palette only: hard red, deep black, and aged cream paper. Heavy slab-serif and stencil typography forbidden (no text on the canvas). Photographic subject treated as photomontage element, high-contrast halftone screen, dropped into the geometric scaffold. Negative space weaponized. The subject is positioned at a sharp upward diagonal as if the geometry itself is lifting them. Mood: industrial urgency, collective machine, individual subsumed and elevated simultaneously, mechanical sublime. Lithograph paper texture, slight registration offset between the red and black plates as if printed on a worn flatbed press. No text, no Cyrillic lettering, no hammer, no sickle, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.