Grandma Moses Naive Pastoral

Render in the medium and register of Grandma Moses's late-life memory paintings: thin oil paint or casein on Masonite hardboard, palette of upstate-New-York pastoral colors (barn-red, snow-white, hayfield-yellow, pine-green, sky-blue, schoolhouse-brown), figures rendered tiny and numerous across a slightly elevated horizon-tilted landscape (children, farm animals, draft horses, sleds, people walking, all painted small enough that twenty to forty figures populate the scene), no academic perspective (multiple vanishing points or none at all, foreground and background painted at the same level of detail), no atmospheric depth, hand-painted contours stiff and earnest, snow rendered as flat white with tiny black ice-skating-figure punctuation, trees rendered as decorative outline shapes filled with patterned dot-foliage, the scene assembled from memory not observation (every farmhouse and church and stone wall as recalled from rural Greenwich New York between 1870 and 1940), the visual register of a woman who started painting in her seventies and produced fifteen hundred works before she died at one hundred and one, total absence of irony, total presence of remembered specificity. Do not render legible on-canvas text, logos, watermarks, named hate-symbols, or any real person depicted defamatorily. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.