Chinese Revolutionary Woodcut (Lu Xun era, 1930s)

Re-render this image as a 1930s Chinese revolutionary woodblock print in the lineage of the Lu Xun-supported Modern Woodcut Movement (Li Hua, Hu Yichuan, Jiang Feng). Carved-block aesthetic, hand-printed on rough rice paper, black ink only, no color. Bold simplified shapes built from gouged lines, areas of pure black against pure paper-white, no halftone, no gray midtones, only carved positive and negative space. Lines deliberately crude: visible chisel marks, slight uneven inking, registration drift, the proudly handmade rather than industrial. Subject rendered with anatomical exaggeration toward expressive purpose: hands and feet enlarged, faces simplified to essential planes, posture conveying urgent purpose without theatrical heroism. Composition: low horizon line, subject occupying lower two-thirds of frame, looming proximity to viewer as if photographed at close range. Mood: clandestine urgency, peasant intelligence, the cell-meeting visible only to those who already know what to look for. No text, no Chinese characters, no specific party symbols, no rifle iconography. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.